Kamis, 28 Februari 2013

[S385.Ebook] Free Ebook Now She's Gone, by Kim Corum

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Now She's Gone, by Kim Corum

"We stared into each other's eyes, getting lost in the lust as we always did. Once we were together, nothing else mattered. He did that to me. He made me forget all the bad stuff in my life."

Bruce doesn't know what happened to his wife, Sandy. All he knows is that she disappeared without a trace. But just when he's about to give up his search, he uncovers her journals which give him a closer look at her, her past and her secrets.

Now She's Gone is an erotic novel about love, betrayal and desire. Please keep in mind, however, that this newly reissued edition contains adult situations and language and is intended for a mature audience.

  • Sales Rank: #864541 in eBooks
  • Published on: 2015-10-06
  • Released on: 2015-10-06
  • Format: Kindle eBook

About the Author
Kim Corum never forgets to write in her journal.

Most helpful customer reviews

16 of 16 people found the following review helpful.
Soooo sexy and romantic!
By A Customer
I don't know if I would classify this book as straight erotica as the heart of it is in the character of Bruce. Yes, it opens with a hot sex scene and has many others after that, but I think it's more of a good story with a lot of sex, which makes it very sexy. Yet, it's also romantic, too, and we see how much Bruce misses and loves his wife who left him. There's a bit of a plot twist at the end that really gives the whole thing a jump and made me happy I'd taken the time to read it. If you like sexy and romantic--but not corny!!!--books, this one might be one for you. It's no Harlequin (thank God).

21 of 23 people found the following review helpful.
Enticing, insatiable!
By CoffeeGurl
Kim Corum has penned another winner. Now She's Gone, like Breaking the Girl, mixes eroticism with subtle romance. The result is an insatiable and riveting novel.
Bruce wakes one morning and finds that his wife is gone. Saddened, he reads some journals she's left behind in which she describes various erotic exploits. However, the journals reveal much more than just the sexual adventures she ventured into with her past lovers...
As said earlier, this is Corum's best work since Breaking the Girl. I couldn't put this book down. The descriptions are exquisite and provocative, the language fiendish and uninhibited. I look forward to reading more of Corum's work. Her work is truly compelling.

8 of 9 people found the following review helpful.
Very good.
By A Customer
This is the second Kim Corum book I've read and I have to say they keep getting better. The weay she can intertwine two different stories together is amazing and the sex scenes aren't to bad, either. This was one of the best I've read all year.

See all 3 customer reviews...

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Sabtu, 23 Februari 2013

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[ Forensic Engineering: Damage Assessments for Residential and Commercial Structures ] , by Petty, Stephen E ( Author ) [ 2013 ) [ Hardcover

  • Published on: 2013-01-04
  • Binding: Hardcover

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Rabu, 20 Februari 2013

[E200.Ebook] Fee Download Valuation and Dealmaking of Technology-Based Intellectual Property: Principles, Methods and Tools, by Richard Razgaitis

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Valuation and Dealmaking of Technology-Based Intellectual Property: Principles, Methods and Tools, by Richard Razgaitis

This indispensable tool provides readers with complete coverage of the issues, methods, and art of valuing and pricing of early-stage technologies including backgrounds in the core concepts, sources of value, methods of valuation, equity realizations, and negotiation strategies.

  • Sales Rank: #276741 in Books
  • Brand: Richard Razgaitis
  • Published on: 2009-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.30" h x 1.72" w x 7.50" l, 2.75 pounds
  • Binding: Hardcover
  • 624 pages
Features
  • Valuation and Dealmaking of Technology Based Intellectual Property Principles Methods and Tools

From the Inside Flap
Commercializing technology inno-vation is no risk-free journey. But as technology licensing expert Richard Razgaitis thoroughly explains, by applying reasoned judgment and proven approaches, methods, and tools, you can profitably succeed in risk–based opportunity. Essential reading for licensing executives, M&A dealmakers, technology startups, and intellectual property consultants and attorneys, Valuation and Dealmaking of Technology-Based Intellectual Property shows you how.

This new book—a completely revised and expanded edition of Razgaitis's previous book Valuation and Pricing of Technology-Based Intellectual Property—brings together material designated as "Approaches" into three core technology business processes used for transforming technology into money: opportunity Discovery, Valuation, and Dealmaking, or the acronym D-V-D. In addition, this book introduces, develops, and applies the following six valuation methods:

  • Use of Industry Standards for Valuation
  • The Rating/Ranking Method, and Tool

  • Rules of Thumb to Determine Valuation

  • Discounted Cash Flow Method to Determine Valuation

  • Advanced Valuation Methods

  • Valuation by Auctions

The use of Monte Carlo as an Advanced Valuation method has also been expanded in this new edition and an accompanying Web site, www.razgaitis.com, provides spreadsheets used in this book as well as a link to a free trial of the Monte Carlo software to allow professionals to run their own simulations.

Guiding licensing executives through world-class techniques on how to transform a technology opportunity into a reason-based valuation and consummated license/sale, Valuation and Dealmaking of Technology-Based Intellectual Property provides the critical guidance licensing professionals need.

From the Back Cover
Updated, expanded—and proven—methods to account for risk and assign value, from Richard Razgaitis

Developers of cutting-edge technologies are confronted with compelling questions years before their technologies even reach the marketplace: To develop or not to develop? To license or not to license? What price will be a true reflection of the product's value from the buyer's and seller's points of view?

In Valuation and Dealmaking of Technology-Based Intellectual Property, author Richard Razgaitis answers these questions and more, offering updated and complete coverage of the issues, methods, and art of valuing and pricing "early-stage" technologies.

This guide presents three core technology commercialization business processes: opportunity Discovery, Valuation, and Dealmaking, or Technology Licensing D-V-D, authoritatively covering topics including:

  • Risk and Reward
  • Taxonomy of Technology Licensing

  • Principle Based Valuation Methods (and Tools)

  • Monte Carlo and Real Options as an Advanced Valuation Method

  • Identifying and Prioritizing Technology Opportunities

  • Term Sheets and Deal Teams for Negotiation Readiness and Dealmaking

Drawing upon over thirty years of experience in developing technology-based intellectual property, the author thoroughly examines these challenging business processes from a practical, experienced-based perspective. An accompanying Web site, www.razgaitis.com, provides spreadsheets used in this book and a free trial of the Monte Carlo software to allow you to run your own simulations.

Presenting six proven valuation methods as well as a series of case studies showing them in action, Valuation and Dealmaking of Technology-Based Intellectual Property is an essential addition to every technology/R&D manager, M&A dealmaker, and IP lawyer's professional library.

About the Author
Dr. Richard Razgaitis is a Senior Advisor at CRAI, an international consulting firm providing expertise in economics, finance, and business strategy. He has over thirty years of experience working with the develop-ment, commercialization, and strategic management of technology, more than twenty-five of which have been spent specializing in the commercialization of intellectual property. He has negotiated numerous commercialization agreements with clients in the United States, Europe, and the Far East, ranging from Fortune 500 to small startup companies and is the author of four books on valuation and negotiation/dealmaking published by John Wiley and Sons.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Dr. Razgitis' Brilliant Work
By paula n chavez
I've been in the IP biz for 25 years and as of now, Dr. Razgitis' book is my go-to book on this important topic. Dr. Razgitis' brilliant work has not only been a pleasure to read with many clever insights, but has put the big topic of technology valuation methods into easy to understand terms so that a layperson can apply the principles to their business without prior IP accounting knowledge. Also, so many other books only focus on patents. What I value here is that Dr. Razgitis addresses all IP in the licensing Box, a view point rarely addressed well.

7 of 9 people found the following review helpful.
Excellent work
By Ingo Leung
Dr. Razgaitis has achieved an excellent job in illustrating most types of market-practiced methods in the valuation & pricing of tech-based intellectual property. He has done it not just in a coherent manner, but also with a touch of humourous & philosophical elements, which makes the book a surprisingly enjoyable read. Despite the fact that each valuation methods has different, or even diverse, characteristics, Dr. Razgaitis managed to clearly present how each method can be practically applied in various situations, and how these methods can be jointly applied to solve business problems. He has skillfully provided knowledge & guidelines for readers to come up with their own judgement regarding what methods to be applied in various real-world situations, rather than promoting a particular method as the 'silver bullet', like some other authors may attempt to do; this is refreshing & pragmatic as technology valuation is both art & science. The references of the book are also highly valuable, as they provides good pointers to resources that would enable readers to practice the methods.

0 of 0 people found the following review helpful.
Five Stars
By Smolz
Great book

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Fresh Off the Boat: A Memoir, by Eddie Huang

NOW AN ORIGINAL SERIES ON ABC • “Just may be the best new comedy of [the year] . . . based on restaurateur Eddie Huang’s memoir of the same name . . . [a] classic fresh-out-of-water comedy.”—People

“Bawdy and frequently hilarious . . . a surprisingly sophisticated memoir about race and assimilation in America . . . as much James Baldwin and Jay-Z as Amy Tan . . . rowdy [and] vital . . . It’s a book about fitting in by not fitting in at all.”—Dwight Garner, The New York Times

NATIONAL BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

Assimilating ain’t easy. Eddie Huang was raised by a wild family of FOB (“fresh off the boat”) immigrants—his father a cocksure restaurateur with a dark past back in Taiwan, his mother a fierce protector and constant threat. Young Eddie tried his hand at everything mainstream America threw his way, from white Jesus to macaroni and cheese, but finally found his home as leader of a rainbow coalition of lost boys up to no good: skate punks, dealers, hip-hop junkies, and sneaker freaks. This is the story of a Chinese-American kid in a could-be-anywhere cul-de-sac blazing his way through America’s deviant subcultures, trying to find himself, ten thousand miles from his legacy and anchored only by his conflicted love for his family and his passion for food. Funny, moving, and stylistically inventive, Fresh Off the Boat is more than a radical reimagining of the immigrant memoir—it’s the exhilarating story of every American outsider who finds his destiny in the margins.

Praise for Fresh Off the Boat

“Brash and funny . . . outrageous, courageous, moving, ironic and true.”—New York Times Book Review

“Mercilessly funny and provocative, Fresh Off the Boat is also a serious piece of work. Eddie Huang is hunting nothing less than Big Game here. He does everything with style.”—Anthony Bourdain

“Uproariously funny . . . emotionally honest.”—Chicago Tribune

“Huang is a fearless raconteur. [His] writing is at once hilarious and provocative; his incisive wit pulls through like a perfect plate of dan dan noodles.”—Interview

“Although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. . . . Whatever he ends up doing, you can be sure it won’t look or sound like anything that’s come before. A single, kinetic passage from Fresh Off the Boat . . . is all you need to get that straight.”—Bookforum


From the Hardcover edition.

  • Sales Rank: #4253 in eBooks
  • Published on: 2013-01-29
  • Released on: 2013-01-29
  • Format: Kindle eBook

Amazon.com Review
Q&A with Eddie Huang

Q. You're a chef, but your restaurant doesn't show up in this book until pretty late. If you're not writing about your restaurant--the fabulous Baohaus in New York--then what are you writing about?

A. Food is at the core of the book, but I examine it beyond the plate, almost as a symbol. There's only one recipe in this book and there are no measurements. I want people to understand the power that food has as a gateway drug into culture and history, but, first and foremost, my book tells a story about growing up Taiwanese-Chinese in America. It's a story about unpacking your identity, purging yourself of the things your environment has imposed upon your consciousness, and trying to set yourself free. I refused the American Experience I was sold, remixed it for myself, chopped it up, and sold it back.

Q. One of the powerful aspects of the book is the language you use, which feels completely original. Where does your voice come from?

A. Language is constantly changing and the biggest disservice you can do to yourself and your reader is to write how you think you're "supposed to" write. My parents didn't really speak English at home, so I had to develop my English voice independently and mostly through pop culture--I grew up speaking Chinese, listening to hip hop, and watching cable television. Learning to trust my own voice was probably the most important thing I ever did. When I was in college, Richard Ford visited during a speaking series and criticized Ha Jin, who had just won the National Book Award, for writing in English because it wasn't his native tongue, implying that Ha Jin should stick to Chinese. I was just a half-assed student at the time, but I stood up and argued with Ford from my seat till they made me sit down. My mother speaks broken English but even with her comic disregard for subject-verb agreement, she throws mad knowledge darts. You should never worry about what others think about the language you use, as long as it's truly your own.

Q. What do you want readers to take away from Fresh Off the Boat?

A. The simple surface reading of this book is to be yourself by any means possible. That's the basic theme, but I want people to see how implementing a simple concept like that takes a struggle between you and your country, you and your city, you and your reference group, you and your family, you and your race, you and the sub cultures you subscribe to, and on and on. It's about the constant battle between that little voice inside you and the people you love, the legacy you carry, the cultures that make you curious, the country that tells you who you're supposed to be. It's about the complexity of being an individual--about finding love in family, in friends, in food, in music and culture, and a million other surprising places, and figuring out how to bring all that together inside of you. It's about learning to be fearless, but it's also about the cost of those lessons and the literal and psychic violence you encounter when you try to break free.

There are tons of books about the struggle to be an individual, but with each one we reach more and more people who were never spoken to. I was always a weirdo growing up, but I believed that there were weirdos like me, and my writing this book is like Professor X putting on cerebro to find the other mutants.

From Booklist
Born in the U.S. to Taiwanese immigrant parents, Huang refuses to be a “lapdog under a bamboo ceiling,” and his colloquial, furious memoir is as open about his struggling, screaming, sometimes abusive parents as it is about the prejudice he encounters growing up in Orlando and then in New York, where to this day “someone tells me to go back to China at least three times a year.” He hates that everything he does is a statement about his people and where they are from, even as he refuses to be reformed, assimilated, apologetic. Always refusing to fit in, he wants to hurt people like they hurt him, and he succeeds. Now he runs a big New York City gourmet restaurant and a food store, and, throughout the book, food is front and center, including his mother’s recipe for the best beef noodle soup. Readers will leave hungry, and many immigrants will recognize the refusal to go with the model minority myth. --Hazel Rochman

From Bookforum
Let it be said right now that although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. —Melanie Rehak

Most helpful customer reviews

9 of 9 people found the following review helpful.
Missed opportunity to say something worthwhile
By Rowing gal
I usually love books that expose me to other cultures and experiences. I didn't care for this one. I wasn't turned off by language as some others seem to be, but I was turned off by tone. Rather than giving the reader insight, it's merely a personal success story written in a "I'm too cool for you" tone. I finished it, but I don know why.

3 of 3 people found the following review helpful.
You like basketball and hip-hop
By Matthew Mcmanus
I'm halfway through it and it's insufferable. I'd seen Eddie on Bill Maher's show a few times and he seemed interesting. Yet his memoir makes it clear he doesn't have a modest bone in his body. He talks about the appropriation of Chinese cuisine by white Americans, but he's blind to the fact that he shamelessly appropriates black culture. You like basketball and hip-hop? That's cool, but you grew up in a gated community and went to private school, so you're a little inauthentic. Eddie's pretty much a real-life version of the guy in "Malibu's Most Wanted."

5 of 5 people found the following review helpful.
know you audience, or in this case your author
By Amazon Customer
Interesting, but not at all the book I was expecting after seeing his interview on Bill Maher. Mr. Huang has much to say, but it is often difficult to follow how he is saying it. If you aren't versed in Hip Hop, you will have a great deal of trouble following much of the content.

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Rabu, 13 Februari 2013

[Y618.Ebook] Download PDF The Geography of Transport Systems, by Jean-Paul Rodrigue, Claude Comtois, Brian Slack

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The Geography of Transport Systems, by Jean-Paul Rodrigue, Claude Comtois, Brian Slack

Mobility is fundamental to economic and social activities such as commuting, manufacturing, or supplying energy. Each movement has an origin, a potential set of intermediate locations, a destination, and a nature which is linked with geographical attributes. Transport systems composed of infrastructures, modes and terminals are so embedded in the socio-economic life of individuals, institutions and corporations that they are often invisible to the consumer. This is paradoxical as the perceived invisibility of transportation is derived from its efficiency. Understanding how mobility is linked with geography is main the purpose of this book.

The third edition of The Geography of Transport Systems has been revised and updated to provide an overview of the spatial aspects of transportation. This text provides greater discussion of security, energy, green logistics, as well as new and updated case studies, a revised content structure, and new figures. Each chapter covers a specific conceptual dimension including networks, modes, terminals, freight transportation, urban transportation and environmental impacts. A final chapter contains core methodologies linked with transport geography such as accessibility, spatial interactions, graph theory and Geographic Information Systems for transportation (GIS-T).

This book provides a comprehensive and accessible introduction to the field, with a broad overview of its concepts, methods, and areas of application. The accompanying website for this text contains a useful additional material, including digital maps, PowerPoint slides, databases, and links to further reading and websites. The website can be accessed at: http://people.hofstra.edu/geotrans This text is an essential resource for undergraduates studying transport geography, as well as those interest in economic and urban geography, transport planning and engineering.

  • Sales Rank: #5532045 in Books
  • Published on: 2013-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x 1.00" w x 6.90" l, .0 pounds
  • Binding: Hardcover
  • 432 pages

Review

'I would strongly recommend this book to anyone who has doubts about the domains of transport geography and/or transport geographers’ contributions to the contemporary world. This book covers essential concepts and methods in transport geography. Its breadth is truly amazing.' Professor Becky P.Y. Loo, The University of Hong Kong

'This is a timely update of a book that outlines key concepts from transport geography in a detailed and rigorous manner. It offers an invaluable resource for undergraduate courses and an excellent reference book for anybody interested in transport geography.' Dr Tim Schwanen, University of Oxford, UK

'The Geography of Transport Systems provides an up-to-date and thorough text for introductory courses in Transportation Geography. With both conceptual and methodological elements, this book provides students with qualitative and quantitative tools for approaching analyses of transport systems. Whether their interests are economic, social, or environmental, students will find material in this accessible text to meet their needs.' Kevin Curtin, George Mason University, USA

'This is a well-structured textbook for transportation geography. It effectively covers almost all geographical aspects of transportation systems. For each chapter, the concept-method organization is very useful for students to understand the theoretical aspects of transportation and how these theories can be applied in practice. The contents covered in this book are highly relevant to current research and practice.'  Dr. Changshan Wu, University of Wisconsin-Milwaukee, USA

About the Author

Jean-Paul Rodrigue is Professor in the Department of Geography and Global Studies at Hofstra University, New York. His research interests primarily cover issues related to freight transportation, logistics and globalization, particularly over North America, Latin America and the Caribbean, and Pacific Asia.

Claude Comtois is Professor of Geography at the University of Montreal, Canada, and is affiliated with the Research Centre on Enterprise Networks, Logistics and Transportation at the same institution.

Brian Slack is Distinguished Professor Emeritus at Concordia University, Montreal, Canada.

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0 of 0 people found the following review helpful.
Five Stars
By Ms. Kelly
Excellent

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Five Stars
By Christopher Paul
Thank you!

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Five Stars
By Ryu Pong
Awesome!

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Minggu, 10 Februari 2013

[Q747.Ebook] Download Freehand Figure Drawing for Illustrators: Mastering the Art of Drawing from Memory, by David H. Ross

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Freehand Figure Drawing for Illustrators: Mastering the Art of Drawing from Memory, by David H. Ross

Draw the Human Figure Anywhere, Anytime

For today’s in-demand comic creators, animators, video game artists, concept designers, and more, being able to quickly draw the human figure in a variety of action-packed poses is a requirement. But what do you do if you don’t have models or photographic reference readily available? In Freehand Figure Drawing for Illustrators, artist and instructor David H. Ross provides an alternative solution, showing you how to master freehand figure drawing without visual reference by using a modern twist on the classic technique of blocking out the human figure in mannequin form. Step-by-step lessons guide illustrators from basic poses (standing, running, jumping) to extreme motions (throwing punches, high kicking). For on-the-go artists, Freehand Figure Drawing for Illustrators allows you complete freedom to bring your figures to life at any time.�

  • Sales Rank: #29394 in Books
  • Published on: 2015-07-28
  • Released on: 2015-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .56" w x 8.53" l, .81 pounds
  • Binding: Paperback
  • 208 pages

Review
Dave Ross has created an invaluable tool for both students and professionals. While photos and models are useful, artists shouldn’t be limited by the reference available to them. Dave gives the artist the means to build a figure from the imagination based on gesture, construction, and anatomy.

--June Brigman, comics artist, co-creator of Power Pack�from Marvel Comics, and professor of sequential art at the Savannah College of Art and Design

About the Author
DAVID H. ROSS�is an illustrator who has worked with all of the major North American comic book publishers including Marvel Comics, DC Comics, and Dark Horse Comics. He has produced storyboards for feature films, and prepared artwork and advised on special projects for television. For the past ten years, he has held workshops on drawing for comic books and has acted as co-coordinator and instructor of a successful three-year Sequential Arts diploma program at Max the Mutt College of Animation, Art, and Design in Toronto, Canada.�

Excerpt. � Reprinted by permission. All rights reserved.
Introduction

The term freehand drawing describes the practice of drawing from the imagination without the aid of a live model or photographic reference.�

Freeing the artist from any dependency on such sources allows for maximum versatility—the artist is restricted only by his or her imagination or skill level. As it applies specifically to the human figure, it is the drawing of the body in any pose imaginable and from any angle—without the need for a reference.


Freehand Figure Drawing for Illustrators offers up a constructive approach to drawing the human form that can be traced back to the early 1900s. Illustrators of that era developed a system for blocking out the human figure using a drawn mannequin.

This book focuses on that drawn mannequin, putting it through its paces in ways that those early illustrators could not have foreseen. There are studies of standing, walking, and running figures, of course, but also leaping, dodging, and flying ones. Mannequins throwing punches and high kicking demonstrate the mechanics of motion and will help you to examine the limitations of the body’s movement. The drawn mannequin is nothing more or less than a visualization tool—a simplified representation of the human body that enables the artist to block figures into place with proper proportions and posing.

It is particularly useful when dealing with more complex camera angles (for example, the bird’s-eye and worm’s-eye views).�With a drawn mannequin, the artist doesn’t have to deal with the details of specific anatomy, folds in clothing, or lighting and can focus on achieving a solid, well-constructed underdrawing (or mannequin), first.

The mannequin is transparent (which is why it’s also known as a glass mannequin) to help the artists using it think of what they are drawing as three-dimensional or in the round. This is a crucial mind-set for artists to attain. They must think of everything they draw as having volume—of occupying space—if they wish that sense to be conveyed to their audience. On an even more practical note: the mannequin’s transparency allows the artist to locate the sometimes obscured connection of that far arm or leg to the trunk of the body.

Mannequins used in this book range from basic to intermediate to advanced. Each successive category introduces more human anatomy into the mannequin figures, enabling you to progress in stages. I have varied the mannequins throughout the book on a need-to-see basis. Earlier chapters contain a higher percentage of basic mannequins, while later ones such as those in chapter 10 are weighted toward the advanced model.

The first chapter of this book offers a primer in technical perspective. This is a necessary first step for those considering freehand drawing of any sort. The ability to visualize in three dimensions on the flat page or screen is indispensable to the process. The fundamentals outlined in chapter 1 will help instill in you a heightened sense of depth, which you can then apply directly to drawing the human figure.�

Your ability to draw convincing poses—both in form and in gesture—will increase in direct proportion to your understanding of anatomy. The study of human anatomy is included in this book, both as sub sections in the chapters covering the head, hands,
and feet, as well as in whole chapters devoted to the human skeleton (chapter 8) and
the muscles (chapter 9). The skeleton is the foundation that shapes the body; however,
it is the muscles that make the body “move.” Ingrained anatomical knowledge is espe-cially important for the freehand artist, since there is no actual model or other reference immediately at hand to guide you. If you can include muscle tone and bone-related landmarks in your freehand sketching, it will greatly add to your speed and versatility.

Freehand Figure Drawing for Illustrators is for anyone who has ever dreamed of picking up a pencil and drawing spontaneously from the imagination. That being said, it certainly does represent a valuable skillset for the professional artist whether working in the field of animation, cinematic storyboarding, concept art, or book and comic book illustration.

Beyond all other considerations, however, there is the simple satisfaction that can come from adopting the freehand approach. This is what drawing should be about, straight from the mind to the page with no stops or detours along the way!

Most helpful customer reviews

2 of 2 people found the following review helpful.
Tired of always having to have a reference? Only able to draw the figure front the front eye level view? This book is for you!
By M. Farrow
Great book! If you have already purchased/referenced most figure drawing books and you are looking for something a bit different and more in depth than this is for you. I pretty much already have a good understanding of human anatomy (having gone to art school for both high school and college) but I wanted a book that was going to help me improve as an artist as far as drawing from the mind and memory. Sure I can look at a picture or a live model and draw exactly what I see but me sitting in a room with just a paper and pencil and no internet/model/picture etc. and sometimes at certain angles/perspectives I get lost and don't know if I am getting it. I always feel like I have to reference something which isn't a bad thing to do but what if you can't always find the exact pose you are looking for in a picture and have no one available willing to stand still and model for you? I so admire artists that can simply sit down and for example say to themselves I am going to draw a man floating in the air and what a person would see looking up at them (worm's eye view) and they just drawing straight from their head. This book gives you the basic tools and understanding to be able to learn the rules to do that. The author/artist of the book breaks everything down by first explaining perspective and then how that relates to the figure and then how you can use a basic box (drawn in perspective) to learn how to draw the figure inside of it. Even though the book and the illustrations inside may lead you to believe that the book is just for graphic designers, comic artists drawing superheros etc. I still think this book is helpful for anyone that wants to learn how to fully and confidently learn to draw the human figure at any possible angle or view point. The price is extremely fair for a book of this length and quality. This is a book that should be in every artists collection if you are tired of only being able to draw the figure from the front eye level view. Don't get me wrong drawing the figures from memory isn't going to be easy and will take a ton of practice but this book is a tool to help you get there. Get a classic figure drawing book and this along with it and you are set!

0 of 0 people found the following review helpful.
Would Recommend for Artists with Problems Understanding Perspective
By Haley
I specifically liked this book because it started off by explaining the basics and built from there. I wouldn't recommend this book for beginners, because I could see it being a little frustrating if you're just starting out. I appreciate that it actually talks in depth about perspective, because it can be very difficult to find books or websites that do more than briefly mention it.

0 of 0 people found the following review helpful.
Very cool tutorial book for drawing figures in dynamic poses and ...
By Corey M. Sandifer
Very cool tutorial book for drawing figures in dynamic poses and angles. Easy to follow. Helps me think in a more three dimensional way when it comes to my figures.

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Jumat, 08 Februari 2013

[Q757.Ebook] Download Ebook CIMA F3 Financial Strategy - Study TextFrom Kaplan Publishing

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CIMA F3 Financial Strategy - Study TextFrom Kaplan Publishing

  • Sales Rank: #4910747 in Books
  • Published on: 2015-08-01
  • Original language: English
  • Dimensions: 11.61" h x 1.14" w x 8.15" l, .84 pounds
  • Binding: Paperback

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Selasa, 05 Februari 2013

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Island in the Stream, by Ernest Hemingway

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Island in the Stream, by Ernest Hemingway

  • Sales Rank: #2649392 in Books
  • Published on: 1978
  • Binding: Mass Market Paperback

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Five Stars
By Tom Garrett
Hemingway last book, but ALL Earnest!@

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Senin, 04 Februari 2013

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We Saw Spain Die: Foreign Correspondents in The Spanish Civil War

  • Sales Rank: #3218396 in Books
  • Published on: 2009-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.76" h x 1.34" w x 5.12" l, .89 pounds
  • Binding: Paperback

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A disappointing and polemical book
By Stephen
A very disappointing book. Paul Preston has done a great job of gathering newly discovered info on the Spanish Civil War and I was really looking forward to this book. However, it reads more like a polemic than a geniune attempt at history. I for one do not doubt the horrors perpetrated by Franco and his colonial troops, nor the murderous destruction of Guernica, however, Preston deftly overlooks the atrocities commited by the Left; One gets the impression that they were regrettable but understandble, rather than genuine crimes against humanity. The bile and vitriol against any conservative journalists or other characters is almost comical: mention of every conservative journalist/newspaper is always prefaced with the words "feriously" or "furiously" right wing, while left-wing journalists/publications are given a pass. A good example of this is Walter Duranty. He is mentioned but there is no mention of his grotesque omissions of the Ukrainian famines or his sycophantic adoration of Stalin. There is also constant reference to the idealism and wonderful memories of the left-wingers - an automatic assumption of the rightness of their cause. Again, I stress that none of this takes away from the horror of the crimes committed by Franco, and the fact that some of his subordinates such as Quiepo de Llano and Millan Astray were deranged psychopaths; however, the whitewashing of the left is absurd and unprofessional in a historian. To conclude, this is a great missed opportunity to write a balanced history of a fascinating subject. It belongs more to the great left-wing mythology of this horrible conflict: brave and freedom loving left-wingers set up a paradise on Earth which is stolen by those nasty, nasty right wingers. It also conflicts with the increasingly authoritative view first expressed by Orwell, that Spain would have ended up in a nasty dictatorship whoever had won and that Franco may have been the lesser evil. A great disappointment!

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Jumat, 01 Februari 2013

[R875.Ebook] Download Ebook Narrative Methods for the Human Sciences

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Narrative Methods for the Human Sciences

  • Sales Rank: #9015504 in Books
  • Published on: 2008-02-12
  • Number of items: 2
  • Binding: Paperback

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