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[Z487.Ebook] Ebook The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

Ebook The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

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The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez



The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

Ebook The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

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The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music, by Steve Lopez

The New York Times bestselling, "unforgettable tale of hope, heart and humanity" (People)

The true story of journalist Steve Lopez's discovery of Nathanial Ayers, a former classical bass student at Julliard, playing his heart out on a two-string violin on Los Angeles' Skid Row. Deeply affected by the beauty of Ayers music, Lopez took it upon himself to change the prodigy's life-only to find that their relationship would have a profound change on his own life.

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  • Sales Rank: #36653 in Books
  • Published on: 2010-05-04
  • Released on: 2010-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .77" w x 5.14" l, .51 pounds
  • Binding: Paperback
  • 304 pages

From Publishers Weekly
Perhaps the fact that William Hughes is an accomplished musician and a political science professor allows him to slip so easily into both the voice of free-associating, schizophrenic, homeless musical prodigy Nathaniel Ayers, and the more professional voice of LA Times columnist Lopez. Lopez stumbles across Ayers playing his violin on the street a few blocks from his downtown office and writes a column about him that piques the public's interest. This begins an inspiring tale of a friendship rife with triumphs, disappointments, and human kindness. Hughes reads Lopez's narration with the casual authority of one telling his own story. When the dialogue is Ayers', Hughes makes a subtle but effective vocal shift to make him sound more loose and free, but also more anxious. A Putnam hardcover (Reviews, Feb. 18).
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Hughes’ clipped speech patterns and rich delivery provide a�pleasing rhythm to this�nonfiction account of the unexpected friendship between African American homeless street musician Nathaniel Ayers and Los Angeles Times columnist Steve Lopez. Thirty years ago, Ayers was a promising classical bass student�at Juilliard, and now he plays his violin on the streets of Los Angeles. What Lopez first sees as a subject for a single newspaper column turns into a life-altering education about the perils of schizophrenia and the power of redemption. Hughes renders Lopez and Ayers as a pitch-perfect duet. His soothing, sonorous tones for�Lopez exhibit both gravity and grace, effectively reflecting the kindhearted reporter, who tries to help Ayers gain back his life.�Equally compelling is Hughes’ presentation of Ayers, whose cautious, contemplative nature is conveyed in a voice that rises just above a whisper, indicative of Ayers’ myriad moods.�Starring Jamie Foxx and Robert Downey Jr., the movie version of this compelling story is set to open on November 21. --Allison Block

Review
"Lopez is a terrific reporter. The Soloist is poignant, wise, and funny."
-Sylvia Nasar, author of A Beautiful Mind

"A heartbreaking, yet ultimately hopeful, read."
-Essence

"An utterly compelling tale."
-Pete Earley, author of Crazy: A Father's Search Through America's Mental Health Madness

"With self-effacing humor, fast-paced yet elegant prose, and unsparing honesty, Lopez tells an inspiring story of heartbreak and hope."
-Publishers Weekly (starred review)

"Compelling and gruffly tender...Lopez deserves congratulations for being the one person who did not avert his eyes and walk past the grubby man with the violin."
-Edward Humes, Pulitzer Prize-winning journalist writing for the Los Angeles Times

Most helpful customer reviews

122 of 125 people found the following review helpful.
A profoundly moving read
By Robert Busko
Let me say up front that I normally avoid books like the Soloist. When I picked it up, however, and started glancing through it I became hooked and couldn't really put it down. Is it a page turner? Not really. For me I became entangled with Steve Lopez, the author, and Nathaniel Ayers the focus of the book and simply had to see how the book ended.

Steve Lopez, a reporter for the LA Times, accidently hears violin music coming, apparently from nowhere. When he investigates he finds Nathaniel, an obviously down and out and homeless individual playing what is essentially a broken instrument. Intrigued, Steve Lopez becomes wrapped up in a mission to lift Nathaniel out of his obvious difficulties. Steve learns that Nathaniel was a former Juilliard student and a gifted musician. He was also suffering from mental illness (schizophrenia) leaving him basically disfunctional.

Throughout The Soloist the reader rides heavy seas with highs full of hope and then lows filled with disappointment and dispare. Through Nathaniel's story we see the value of the human spirit. Through the actions of Steve Lopez we see that a simple act of kindness and humanity is never wasted, regardless of our motives.

Steve Lopez is a wonderful writer and his story is worth your time to read.

77 of 78 people found the following review helpful.
Beethoven in Pershing Park
By Kerry Walters
In a neglected corner of L.A.'s Pershing Park stands a statue of Beethoven, hat and cane clasped behind his back. The minute Nathaniel Anthony Ayers laid eyes on it, he knew he'd landed in the right city. Los Angeles. The City of Beethoven.

Ayers, in his mid-50s, is a Julliard-trained bass player whose future as a musician crashed and burned when he suffered a psychotic breakdown midway through his studies in the early 1970s. The crack-up was probably prompted by the intensely competitive Julliard atmosphere, but also by the stressful fact that Ayers was a black student on a nearly all-white campus. His professors thought him brilliant. But with the onset of mental illness (later diagnosed as paranoid schizophrenia), Ayers dropped out of sight. Years later, he wound up in Los Angeles, discovered the statue of Beethoven (his musical hero), and settled down to a life in the streets where he serenaded passing traffic on a battered, two-stringed violin. Music was the abiding passion that kept him grounded. Music was the catalyst that brought beauty and peace to his frequently confused and always fragile world.

One day Steve Lopez, columnist for the "L.A. Times" and an engaging, insightful author, heard Ayers playing. Sensing a column topic, he struck up an acquaintance. The acquaintance unexpectedly blossomed into a friendship, and The Soloist is the story of that friendship. Lopez's sensitive memoir spotlights the disorientation of schizophrenia, the perils of living on the streets, and the difficulty in achieving recovery. But in telling Ayers' story, Lopez also reminds us that the mentally ill and the homeless possess dignity, a fierce need for autonomy, and a hunger for meaning and beauty in their lives. In the process, Lopez also has some telling things to say about the scandalous fact that most major U.S. cities contain Skid Rows in which the most vulnerable of our citizens are segregated; some much-needed observations, given our pharmaceutical-crazy, quick-cure ethos, about patience, respect, and compassion when it comes to therapy (his mentor in this regard is Dr. Mark Ragins, a genuine pioneer in recovery therapy); and some extraordinarily important things to say about the redemptive power of music.

Lopez's memoir of his friendship with Ayers never falls into a feel-good sentimentality. Ayers may heal to a certain extent, but it's unlikely that he'll ever recover and he certainly has his bad, disoriented, full-of-rage days. As Lopez learned, progress in treating mental illness is never linear. But Ayers now lives in an apartment instead of on the street; he's happily making music on a variety of instruments in his own studio; and he knows that he's loved. Lopez, in turn, confesses that he frequently felt burdened, helpless, frustrated, and on one occasion when Ayers melted down, betrayed. But he also discovered that his friendship with Ayers enriched him: "I know that through [Ayers'] courage and humility and faith in the power of art--through his very ability to find happiness and purpose--he has awakened something in me...it's not a stretch to say that this man I hoped to save has done as much for me as I have for him" (p. 268).

A magnificent story about two really quite extraordinary men. Highly, unreservedly, recommended.

57 of 59 people found the following review helpful.
Inspirational story -- showing the power of friendship and music
By Joseph M. Russo
My name is Joseph Russo -- I am one of Nathaniel's Juilliard friends mentioned in this book. I believe this book should be a "must read" for anyone who would like to more fully understand (and be affected by) the power of music and the importance of friendship....as well as the meaning of happiness and joy. It is a wonderful and ongoing story...Steve Lopez is an excellent writer befriending my dear friend Nathaniel who is a kind and wonderful person and extremely talented musician. You may want to read this book before you see the movie -- due out later this year.

See all 190 customer reviews...

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