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Materiality has reappeared as a highly contested topic in recent art. Modernist criticism's tendency to privilege form over matter was paralleled by technically-based approaches in art history that reinforced connoisseurship via the science of artistic materials. But in order to engage critically with the meaning of hair in David Hammons' installations, milk in the work of Dieter Roth or latex in the sculptures of Eva Hesse, one needs a very different set of methodological tools.This anthology focuses on the moments when materials become wilful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process or participation. And it looks at the ways in which materials obstruct, disrupt or interfere with social norms, surfacing as impure formations and messy, unstable substances.It re-examines the notion of 'dematerialization'; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject andphobic; explores the vitality of substances, and the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation. Artists surveyed include Georges Adeagbo, Carl Andre,Janine Antoni, Amy Balkin, Artur Barrio, Robert Barry,Helen Chadwick, Mel Chin, herman de vries, Mark Dion, Jimmie Durham, VALIE EXPORT, Chohreh Feyzdjou, Romuald Hazoume, Ilya Kabakov, Mike Kelley, Zoe Leonard, Anthony McCall, Teresa Margolles, Robert Morris, ORLAN, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles and Kara Walker.Writers include Joseph A. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Hubert Damisch, Georges Didi-Huberman, Natasha Eaton, Briony Fer, Vilem Flusser, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-Francois Lyotard, Sadie Plant, Dietmar Rubel, Viktoria Schmidt-Linsenhoff, Simon Taylor, Hilke Wagner, Monika Wagner and Gillian Whiteley.
- Sales Rank: #1422848 in Books
- Brand: imusti
- Published on: 2015-09-01
- Original language: English
- Dimensions: 6.26" h x .94" w x 10.04" l, .84 pounds
- Binding: Paperback
- 240 pages
- Whitechapel Art Gallery
Review
Immersing oneself in this rich and diverse collection of short reflections on materiality is an incredibly pleasurable and rewarding experience.
(Diana Coole, Professor of Political and Social Theory, Birkbeck, University of London)What makes Petra Lange-Berndt's new book so relevant in the conversation about art's place within material culture is how it makes unmistakably clear that the meaning of the term Materiality is not bound to our discussion around objects, artefacts or commodities alone but connected to far-reaching philosophical concepts and models. The book takes the reader from examinations of terms such as dematerialization and immateriality in the digital world to the hybrid context of inter- and transmateriality. What Materiality ultimately proposes is that we learn (again) to see material, that we listen to matter and that we let the substances that art is made of communicate their own agency.
(Jens Hoffmann, Director, The Jewish Museum, New York)In Materiality Lange-Berndt has compiled a palimpsest of comment on waxiness, stickiness, smoothness and colour; of wood, mud, stone and sugar. Extracts from both theorists and artists combine to remind us of the elemental ways in which materials have formed art and art practice. A fundamental text that expands our understanding of materiality, from the multiple perspectives of global art practice and critical theory.
(Haidy Geismar, Reader in Anthropology, University College London)Why matter matters is an important matter as feminist philosopher and scientist Karen Barad writes. And it matters what matters we use to think other matters with, as Donna Haraway reminds us. I welcome this new book about materiality. It explores questions of embodiment in our age of vituality, and that is no small matter.
(Carolyn Christov-Bakargiev, International curator and art historian) About the Author
Petra Lange-Berndt is Lecturer in 19th-21st-Century Art at University College London and a leading researcher in the field of material studies in art history. She is co-editor, with Dietmar Rubel, of Sigmar Polke: We Petty Bourgeois! Contemporaries and Comrades,the 1970s (2011).
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